Jeever Madness
"Killing Site" (2008) by Hema Upadhyay
Acrylic, gouache, dry pastel, photograph on paper, aluminium sheets, resin
From the Saatchi Gallery’s profile of Upadhyay:

Baroda  born and Mumbai based Hema Upadhyay uses photography and sculptural  installations to explore notions of personal identity, dislocation,  nostalgia and gender. Upadhyay’s work Killing Site draws on the theme of  migration and human displacement across Asia. The top of the work is  based on Mumbai’s dilapidated shanty towns, here appearing upside down  and protruding out like a canopy over Upadhyay’s decorated montage.  Upadhyay draws on her own personal and family history of migration to  express her concerns and this is expressed through the way she portrays  herself in her works. The upturned slums reference the repercussions and  socio-economic inequalities that emerge as a hidden consequence of the  relentless tide of urban development in the city.

"Killing Site" (2008) by Hema Upadhyay

Acrylic, gouache, dry pastel, photograph on paper, aluminium sheets, resin

From the Saatchi Gallery’s profile of Upadhyay:

Baroda born and Mumbai based Hema Upadhyay uses photography and sculptural installations to explore notions of personal identity, dislocation, nostalgia and gender. Upadhyay’s work Killing Site draws on the theme of migration and human displacement across Asia. The top of the work is based on Mumbai’s dilapidated shanty towns, here appearing upside down and protruding out like a canopy over Upadhyay’s decorated montage. Upadhyay draws on her own personal and family history of migration to express her concerns and this is expressed through the way she portrays herself in her works. The upturned slums reference the repercussions and socio-economic inequalities that emerge as a hidden consequence of the relentless tide of urban development in the city.

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